‘A chosen few’: Lady Eastlake and the appreciation of early Florentine art Julie Sheldon 43-62 2026-07-15 DOI: https://doi.org/10.36253/ladiana-4302
Sir Charles Eastlake, the National Gallery and the Tuscan ‘primitives’. Pursuing the Oldest Masters for the Newest Ends Susanna Avery-Quash 19-42 2026-07-15 DOI: https://doi.org/10.36253/ladiana-4301