About

Quaderni Culturali IILA is an international open-access journal, founded in 2018 by the Cultural Secretariat of the International Italo-Latin American Organization (IILA), based in Rome. It publishes one thematic issue per year and accepts contributions in Spanish, Italian, Portuguese, and English.

The journal is dedicated to the study of Latin American art and culture, with particular attention to processes of cultural circulation, promoting critical approaches and methodological innovations from an interdisciplinary perspective.

ISSN (online): 2785-5031

Editor-in-Chief: Claudia Barattini


Call for Papers

Quaderni Culturali IILA — Issue 8

Guest Editors: Dott.ssa Paulina Caro Troncoso (Pontificia Universidad Católica de Valparaíso); Dott.ssa Roberta Garieri (Université Paris 1 Panthéon-Sorbonne)

Connected Constellations

Transnational Artistic Trajectories between Italy and Latin America during the Cold War

Internationalist demonstration for Chile, Milan, 1974

Submission deadline: August 21, 2026

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Current IssueVol 7, No 7 (2025): El fin del mundo desde el Nuevo Mundo

Published December 2, 2025

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Table of Contents

Editorial
3
DOI: https://doi.org/10.36253/qciila-3830

Introduction

Introduction
Francesco Fasano
5-9
DOI: https://doi.org/10.36253/qciila-3831

Articles

Tecnosolutions for the future: Trap or possibility? An approach from Ygdrasil by Jorge Baradit
Federica Moscatelli
67-76
DOI: https://doi.org/10.36253/qciila-3288
The Prietopunk anthology: caribbean afrofuturism at its limits
Andrea Pezzè
77-85
DOI: https://doi.org/10.36253/qciila-3482
Creating networks in Latin American “sacrifice zones”: an analysis of two short stories by Liliana Colanzi
Isabella Locaputo
53-65
DOI: https://doi.org/10.36253/qciila-3311
The matter that shapes the world: a reading proposal of Chamanes eléctricos en la fiesta del sol by Mónica Ojeda
Mateo Orrego López
107-115
DOI: https://doi.org/10.36253/qciila-3306
The utopian question in Hispano america
Héctor Augusto Jiménez Esclusa
33-41
DOI: https://doi.org/10.36253/qciila-3303
Un lugar sin límites: Post-Apocalyptic, Hopepunk Memories in Elisa de Gortari’s Todo lo que amamos y lo que dejamos atrás
Kevin M. Anzzolin
97-106
DOI: https://doi.org/10.36253/qciila-3293
Dispossessed States, migrant idioms and subalternity without frontiers in Yuri Herrera’s Señales que precederán al fin del mundo
Riccardo Lanza
43-52
DOI: https://doi.org/10.36253/qciila-3514
Ecology and contemporary art in Latin America: a critical view throughout painting and Land Art
Raúl Armando Amorós Hormazabal
117-126
DOI: https://doi.org/10.36253/qciila-3419
When Times Flow Together: Anticolonial Temporalities and Geological Intimacies in Matías Rendón’s Pluma de agua y fuego
Ariadna N. Tenorio López
87-95
DOI: https://doi.org/10.36253/qciila-3310
Lost and Imagined Futures in the Anthropocene: Human Action Before the Apocalypse
Tommaso Luperto
11-20
DOI: https://doi.org/10.36253/qciila-3305
The apocalypse as colonial legacy: nomadic ruptures and the crisis of the posnorteño in Northern Mexico
Jesús Rojas López, Sebastián Samuel Ubaldo Serratos
21-31
DOI: https://doi.org/10.36253/qciila-3301
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