Articles
De Libertà al Cile a All the World’s Futures. Apuntes sobre Arte Latinoamericano y la Bienal de Venecia
Published 2022-06-09
Keywords
- Libertà al Cile,
- All theWorld’s Futures,
- Alfredo Jaar,
- Carlo Ripa di Meana,
- Okwui Enwezor
How to Cite
Ribeiro Dos Santos, R. (2022). De Libertà al Cile a All the World’s Futures. Apuntes sobre Arte Latinoamericano y la Bienal de Venecia. Quaderni Culturali IILA, 1(1). https://doi.org/10.36253/qciila-1522
Copyright (c) 2019 Renata Ribeiro Dos Santos
This work is licensed under a Creative Commons Attribution 4.0 International License.
Abstract
The textweaves a series of notes and reflections on the presence of latin american art at the Venice Biennale, connecting aspects related to the conception and historical model of the event itself with the conformation of the “latin american art” category. It analyses the event Libertà al Cile (1974) – which announces the opening of the event towards the aesthetics margins – and this concept reconsideration at the 56th Biennial, All theWorld’s Futures (2015).