Introduzione Mattia Barana, Roberto Bartalini, Davide Lacagnina 8-18 pdf DOI: https://doi.org/10.36253/ladiana-4300
Sir Charles Eastlake, the National Gallery and the Tuscan ‘primitives’. Pursuing the Oldest Masters for the Newest Ends Susanna Avery-Quash 19-42 pdf (English) DOI: https://doi.org/10.36253/ladiana-4301
‘A chosen few’: Lady Eastlake and the appreciation of early Florentine art Julie Sheldon 43-62 pdf (English) DOI: https://doi.org/10.36253/ladiana-4302
Florence, Charles Eastlake, and the Restoration of Renaissance Paintings Matthew Hayes 63-82 pdf (English) DOI: https://doi.org/10.36253/ladiana-4303
Walking in Florence: Genres of Knowledge in the Italian Journals of Susan Horner 1847–1848 and 1861–1862 Clare Pettitt 83-112 pdf (English) DOI: https://doi.org/10.36253/ladiana-4304
Ugo Baldi (1800-1870): pittore-restauratore «piuttosto unico che raro» tra commercio d’arte e conservazione Mattia Barana 113-157 pdf DOI: https://doi.org/10.36253/ladiana-4306
Il ‘Trittico francescano’ del Beato Angelico all’indomani delle soppressioni napoleoniche: i restauri ottocenteschi alla Certosa del Galluzzo Elena Marta Manzi 158-187 pdf DOI: https://doi.org/10.36253/ladiana-4307
Spigolature attorno ad alcune lettere di Johann Anton Ramboux a Carlo Pini, e uno sguardo sul polittico olivetano di Spinello Aretino Elisa Bruttini 188-212 pdf DOI: https://doi.org/10.36253/ladiana-4308
