Ecology and contemporary art in Latin America: a critical view throughout painting and Land Art Raúl Armando Amorós Hormazabal 117-126 PDF (Italiano) DOI: https://doi.org/10.36253/qciila-3419
When Times Flow Together: Anticolonial Temporalities and Geological Intimacies in Matías Rendón’s Pluma de agua y fuego Ariadna N. Tenorio López 87-95 PDF DOI: https://doi.org/10.36253/qciila-3310
Lost and Imagined Futures in the Anthropocene: Human Action Before the Apocalypse Tommaso Luperto 11-20 PDF DOI: https://doi.org/10.36253/qciila-3305
The apocalypse as colonial legacy: nomadic ruptures and the crisis of the posnorteño in Northern Mexico Jesús Rojas López, Sebastián Samuel Ubaldo Serratos 21-31 PDF (Español (España)) DOI: https://doi.org/10.36253/qciila-3301
Tecnosolutions for the future: Trap or possibility? An approach from Ygdrasil by Jorge Baradit Federica Moscatelli 67-76 PDF (Español (España)) DOI: https://doi.org/10.36253/qciila-3288
The Prietopunk anthology: caribbean afrofuturism at its limits Andrea Pezzè 77-85 PDF (Español (España)) DOI: https://doi.org/10.36253/qciila-3482
Creating networks in Latin American “sacrifice zones”: an analysis of two short stories by Liliana Colanzi Isabella Locaputo 53-65 PDF (Italiano) DOI: https://doi.org/10.36253/qciila-3311
The matter that shapes the world: a reading proposal of Chamanes eléctricos en la fiesta del sol by Mónica Ojeda Mateo Orrego López 107-115 PDF (Español (España)) DOI: https://doi.org/10.36253/qciila-3306
The utopian question in Hispano america Héctor Augusto Jiménez Esclusa 33-41 PDF (Español (España)) DOI: https://doi.org/10.36253/qciila-3303
Un lugar sin límites: Post-Apocalyptic, Hopepunk Memories in Elisa de Gortari’s Todo lo que amamos y lo que dejamos atrás Kevin M. Anzzolin 97-106 PDF DOI: https://doi.org/10.36253/qciila-3293
Dispossessed States, migrant idioms and subalternity without frontiers in Yuri Herrera’s Señales que precederán al fin del mundo Riccardo Lanza 43-52 PDF (Italiano) DOI: https://doi.org/10.36253/qciila-3514
