Domenico d'Agostino and a hypothesis for the reconstruction of the funerary monument of bishop Angelo Del Pecora in the cathedral of Montepulciano Veronica Ragozzi 9-24 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-2734
Leonor Fini and Milena Pavlović Barilli, italiennes de Paris at the Quadriennale d'arte in Rome (1931-1939): «accese creatrici d’intense e misteriose figure» Rosanna Carrieri 25-52 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-2886
A «référence d’origine»: painting and colour in Jacques Demy’s cinematographic imagination Margherita Giabelli 53-79 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-2821
Giovanni Pisano: one less mention and a sure mention Roberto Bartalini 81-94 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-2732
The “Massacre of the Innocents” at the Servite church in Siena: new proposals for a complex palimpsest Vittoria Pipino 95-114 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-2888
The fresco with the Name of Jesus by Pietro Sorri, a rare survival of the sacred images of the Gesuate monastery in Vallepiatta Bernardina Sani 116-126 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-2736
Ambra Cascone, La città dei destini incrociati. Arcangeli, Bassani, Bertolucci e Pasolini allievi bolognesi di Roberto Longhi Marco M. Mascolo 128-129 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-2890
Preraffaelliti. Rinascimento moderno, a cura di Francesco Parisi, Liz Prettejohn, Peter Trippi Mattia Barana 129-132 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-2892
Présences arabes. Art moderne et décolonisation. Paris, 1908-1988, a cura di Odile Burluraux, Madeleine de Colnet e Morad Montazami Francesca Gallo 133-134 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-2894
