Published 30-05-2026
Keywords
- Digital Heritage,
- 3D Printing,
- 3D Modelling,
- Digitalisation,
- 3DeVOK MT
How to Cite
Copyright (c) 2026 Federico Cioli, Giulia Gattuso

This work is licensed under a Creative Commons Attribution 4.0 International License.
Abstract
This essay explores the evolving relationship between fashion, material culture, and digital technology through the conceptual and formal legacy of historical armour. Positioning clothing as a symbolic and communicative system, the study interprets armour as a paradigmatic object – simultaneously protective, aesthetic, and identity-forming. A critical historical and semiotic analysis of selected European armours from the Stibbert Museum in Florence investigates their material composition, craftsmanship, and cultural significance, identifying them as early examples of wearable design where function and ornament converge. This historical inquiry
is complemented by an experimental application of 3D laser scanning on reflective metal surfaces, assessing the potential of digital technologies to document, preserve, and reinterpret heritage artefacts. These research phases inform a design-led practice that translates the symbolic and structural qualities of armour into a contemporary fashion collection. Employing advanced materials, modular construction, and digital fabrication, such as 3D modelling and printing, the garments propose an adaptive, emotionally responsive model of protection. This interdisciplinary investigation highlights fashion’s potential to function as a dynamic interface
between cultural heritage and technological innovation, positioning it as a medium for both continuity and transformation in the construction of identity.
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