Published 30-06-2026
Keywords
- Attunement,
- Affect,
- Smart textiles,
- Body-environment,
- Fashion practices
How to Cite
Copyright (c) 2026 Giulia Ciola

This work is licensed under a Creative Commons Attribution 4.0 International License.
Abstract
The fashion industry is a major contributor to the ongoing planetary ecological crisis. In response, many brands have begun to address environmental concerns, driven in part by emerging sustainability regulations that call for interventions in material selection, disposal practices, and labour conditions (Regulation (EU) 2024/1781). While these measures are necessary to mitigate the global environmental impact of the fashion system, they remain limited in their capacity to generate a deeper shift in the meanings and functions attributed to fashion by both individuals and the industry. This article reflects on the possibilities that emerge from understanding fashion as embodied practices (Negrin, 2016; Entwistle, 2000; Ruggerone, 2016; Eckersley, 2008). It asks what it would entail to reconceptualize the fashion system as a site that, rather than producing artefacts often critiqued as polluting commodities, cultivates material practices capable of fostering human attunement with the environment. Drawing on theories of affect (Ott, 2017), particularly as applied within fashion studies (van Tienhoven & Smelik, 2021; Ruggerone, 2016; Sampson, 2018; Filippello & Parkins, 2024) the article examines smart textiles as one articulation of fashion for attunement, focusing on the embodied design approach applied by Dutch designer Pauline van Dongen. While this emerging field holds significant potential, it also reveals important limitations, particularly in its predominantly human-centered orientation. This article instead argues for a broader conceptualization of fashion for attunement, inviting to explore its practices as tools to question and re-configure human-environment relational dynamics.
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