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TRIBELON Journal of Drawing and Representation of Architecture, Landscape and Environment is the official journal of Architectural Studies, Identity, Memory, and Digitisation of Cultural Heritage within the Drawing area at the University of Florence. It offers a critical space of debate for the different paths of enquiry within the national and international panorama of science of representation. It aims at bringing together care for contemporaneity, a dialogue with tradition, and attention to possible futures.
The Journal intends to promote a close engagement with theoretical perspectives in the science of drawing, architectural survey, and representation, while maintaining and enhancing the specificity of the applied approach to drawing and digital database issues in visual communication.

 

Gold e Diamond Open Access

Gold e Diamond Open Access

Editor-in-chief
Sandro Parrinello, University of Florence, Italy 
DIDA - Department of Architecture, Via della Mattonia 8, 50122 Florence     
sandro.parrinello@unifi.it - tribelon@dida.unifi.it
ISSN 3035-143X (print) - ISSN 3035-1421 (online)

Call for Papers - Vol. 3, No. 6 (2026)

Beyond the Model

The model serves as a foundational concept of representation, serving as a device through which reality is observed, interpreted, simplified and made transmissible. The need to reduce the complexity of the world within an intelligible structure, capable of selecting information, establishing relationships and enabling the communication of knowledge, gives rise to the model, which does not coincide with reality, but with an interpretation guided by a purpose, a culture and a specific system of knowledge.

Every model possesses greater value the more it is able to generate new interpretations and can therefore be understood as an open platform, capable of being continuously enriched, verified and transformed through the integration of further data, points of view and levels of reading. In digital culture, the idea of a dynamic information model, able to evolve over time and to accommodate heterogeneous information from different disciplines, becomes the place where geometry, memory, data, relationships, interpretations and the ability to organise knowledge and make it searchable, updatable and shareable converge: a cognitive, digital environment in which knowledge continues to transform.

To go beyond the model, to see beyond it, means to consider the model itself as an organism capable of engaging with multiple forms of representation in a continuous redefinition of its attributes. Every model already contains the possibility of its own overcoming, because it incorporates the tools necessary to be expanded, corrected and reinterpreted. Its true scientific strength lies in this capacity to become other than itself. Representation is called upon to design models and knowledge infrastructures capable of preserving the past, interpreting the present and preparing the conditions for future acquisitions. Their value depends on uncertainty, multiplicity and change, transforming them from finished objects into open processes for the construction of knowledge.

This call for papers invites interdisciplinary contributions that explore the meaning of the model and its interoperable aspects through theoretical, empirical and practice-based research, proposing new perspectives or in-depth insights in concrete or abstract, historical, contemporary and future contexts.

 

Papers, in the form of essays/articles and following the editorial standards, should be submitted to the journal’s editorial office by the following dates:

Abstract: September 1st, 2026
Full paper: October 1st, 2026
Publication: December 2026

Download the journal’s editorial guidelines here:

(Norme editoriali ITA) (Editorial Standards ENG)

 

Current IssueVol 3, No 5 (2026): Signifying Signs

Published July 2, 2026

Issue Description

This journal issue proposes a reflection on drawing as expression, language, and a critical device for constructing meaning. Each line, mark, or graphic variation is understood not as a neutral trace, but as the result of a tension between intention, gesture, and significance. From this perspective, the sign transcends its material condition to become a semantic element, capable of activating imagination, organising thought, and generating new readings of represented reality. In an age dominated by digital drawing, where software produces perfect, repeatable, and modifiable signs, the volume questions the value of intentionality and the interpretative capacity of drawing. What emerges is a conception of drawing as a critical space of design: a place of synthesis, doubt, and resistan... More

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Table of Contents

Editorial

In the Mountain's Shadow. On the Drift of the Signifier in Contemporary Visual Hypertrophy
Sandro Parrinello
4-9
DOI: https://doi.org/10.36253/tribelon-4224

Articles

Intellectual habit. Some notes on Drawing
Fabrizio Arrigoni
12-23
DOI: https://doi.org/10.36253/tribelon-4009
The rêverie of the trait: Giambattista Tiepolo's Capricci and Scherzi di fantasia
Emanuele Garbin
24-33
DOI: https://doi.org/10.36253/tribelon-3974
Architectural design between reality and idealism: Palladio and Canaletto
Alberto Sdegno
34-43
DOI: https://doi.org/10.36253/tribelon-4002
Protography, or on the Origin of the Graphic Sign
Enrico Cicalò
44-51
DOI: https://doi.org/10.36253/tribelon-3972
Signs, Memory and Medieval Funerary Stone Carvings in the Lake Sevan Basin
Avetis Grigoryan, Nelli Petrosyan, Artyom Ananyan, Sevak Arevshatyan
52-59
DOI: https://doi.org/10.36253/tribelon-4151
Meta-Design, Figure and Style between Drawing and Generative AI
Fabrizio Gay, Irene Cazzaro
60-69
DOI: https://doi.org/10.36253/tribelon-4007
Geometry for an Architecture of the Mind
Raymond Guy
70-79
DOI: https://doi.org/10.36253/tribelon-4070
The evolution of language in italian advertising posters of the 20th Century
Marcello Scalzo
80-91
DOI: https://doi.org/10.36253/tribelon-4095
Co-creation in Sketching Space
Simon Twose
92-101
DOI: https://doi.org/10.36253/tribelon-4091

A Drawing from the Past

Drawings by Roberto Segoni for the Design of a Recreational Centre in Compiobbi (Fiesole)
Marco Bini
104-106
DOI: https://doi.org/10.36253/tribelon-4264
The David beneath the Loggia dei Lanzi in Pasquale Poccianti’s Hypothesis
Roberto Lembo
107-109
DOI: https://doi.org/10.36253/tribelon-4263

A Drawing from the Present

Painted Architecture and the Drawing of Space in the Cycle of the Stories of Saint Francis in Assisi
Roberta Ferretti
110-112
DOI: https://doi.org/10.36253/tribelon-4262

Graphic Codes

The Role of the Point in the Parametric Drawing of Conics between Geometry and Computational Topology
Giovanni Anzani
113-118
DOI: https://doi.org/10.36253/tribelon-4265

Lines of Inspiration. Conversations with Drawing Masters

A Conversation with Franco Purini
a cura di Sandro Parrinello
119-127
DOI: https://doi.org/10.36253/tribelon-4266
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