Vol. 4 No. 4 (2022): Cultura y crisis ambiental en América Latina
Articles

The factory of the savage and the clash of imaginations. A post-ethnographic reading of Denilson Baniwa’s work

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  • Eduardo Jorge de Oliveira
Eduardo Jorge de Oliveira
Instituto Max Planck, Roma Universidade de Zurique, UZH
DOI: https://doi.org/10.36253/qciila-2061

Published 2023-02-19

Keywords

  • Postethnography,
  • Postcolonial Studies,
  • Latin American Studies,
  • Denilson Baniwa

How to Cite

de Oliveira, E. J. (2023). The factory of the savage and the clash of imaginations. A post-ethnographic reading of Denilson Baniwa’s work. Quaderni Culturali IILA, 4(4), 41–51. https://doi.org/10.36253/qciila-2061

Copyright (c) 2023 Eduardo Jorge de Oliveira

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Abstract

This text proposes a reflection on postethnography in two directions: firstly, make a frame on the historical context after the globalization and, secondly, discuss these aspects on the Denilson Baniwa’s artistic work. It points to verify the postethnographic hypothesis of the limits of art and literature vis-à-vis ethnographic practices in order to postulate a new statement of literary and artistic practices on the first decades of the 21rst century.

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