Introduction Davide Lacagnina, Alessandro Nigro, Ilaria Schiaffini 8-19 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3402
Carlo Bo, Paul Éluard and surrealist art (1935-1945) Carlotta Castellani 20-41 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3371
Reflections of Surrealism in Raffaele Carrieri’s critical work: forms, times, contexts Viviana Pozzoli 42-58 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3373
«Direzioni», «Evento», «I 4 SOLI»: The «revues italiennes d’avant-garde» and the cooperation with «Il Gesto» and «Phases» Angela Sanna 59--76 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3375
Reflections on the relationships between Sergio Dangelo and E.L.T. Mesens in the post-war period: from Surrealism to Dadaism (via Schwitters) Caterina Caputo 77-95 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3377
Surrealism after Informalism in the eyes of Luigi Carluccio and Enrico Crispolti Claudio Zambianchi 96-104 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3379
«Anonymous, XX Century»: Italian Re-Enactments of Magritte’s Works, 1967-1970 Giorgio Di Domenico 105-118 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3381
Salvador Dalí and the 1954 Venice Biennale: background, diplomatic relations and business strategies Eleonora De Giovanni 119-132 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3383
The First Exhibition of Italian Surrealism (Rome, 1957). Ambitions, Misunderstandings and Historiographical Misfortune Manuel Barrese 133-153 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3385
A special observatory for the diffusion of Surrealism in Italy in the Sixties: Finarte contemporary art auctions in Milan Alessandro Nigro 154-172 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3388
«A delightful chaos in a restless brain». The Italian old masters and the young Max Ernst Davide Lacagnina 173-197 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3390
Circular Time, Frida Kahlo and the Renaissance Alba Romano Pace 198-219 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3392
The beginning of Fabrizio Clerici's career, both in Italy and internationally. The tale of an artist who was visionary and eccentric Giulia Tulino 220-241 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3394
Travel Photography in the Visual Imagery of Eugene Berman Ilaria Schiaffini 242-266 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3396
«An ordinary maladjustment»: gender identity in Massimo Campigli’s shows at the Julien Levy Gallery Raffaele Bedarida 267-284 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3398
(Un)orthodox Surrealists: Robert Rauschenberg, Paul Thek, and the queer strategies of Eugene Berman, Corrado Cagli, and the Neoromantic circle in Rome Peter Benson Miller 285-298 pdf (Italiano) DOI: https://doi.org/10.36253/ladiana-3400
